Greenacre, P. (1957). The Childhood of the Artist—Libidinal Phase Development and Gif... Psychoanal. St. Child, 12:47-72.

Welcome to PEP Web!

Viewing the full text of this document requires a subscription to PEP Web.

If you are coming in from a university from a registered IP address or secure referral page you should not need to log in. Contact your university librarian in the event of problems.

If you have a personal subscription on your own account or through a Society or Institute please put your username and password in the box below. Any difficulties should be reported to your group administrator.

Username:
Password:

Can't remember your username and/or password? If you have forgotten your username and/or password please click here and log in to the PaDS database. Once there you need to fill in your email address (this must be the email address that PEP has on record for you) and click "Send." Your username and password will be sent to this email address within a few minutes. If this does not work for you please contact your group organizer.

Athens user? Login here.

Not already a subscriber? Order a subscription today.

(1957). Psychoanalytic Study of the Child, 12:47-72

The Childhood of the Artist—Libidinal Phase Development and Giftedness


Phyllis Greenacre, M.D. Author Information

This presentation may be somewhat premature. The subject is one about which one thinks slowly and hesitantly, perhaps because genius is always somewhat dazzling and mysterious. Whether the term "giftedness," "creativity," or "marked talent" is used, still the idea of genius is close at hand. The differences in definition as well as nuances in their usage reflect somewhat various ideas of the nature of genius. To my way of thinking, creativity is a special capacity which may or may not be associated with great ability; but it is usually only of general significance when it is part of a constellation of special abilities and drives—which make for the creative individual. Creativity does not seem to have a great deal to do with superior intelligence in terms of quotients, even though excellent intelligence may contribute to the productions of the creative person. In this paper I shall use the term the artist as a generic one referring to those possessing unusual creati

[This is a summary or excerpt from the full text of the book or article. The full text of the document is available to subscribers.]

Copyright © 2010, Psychoanalytic Electronic Publishing. Help | About | Report a Problem

WARNING! This text is printed for the personal use of the subscriber to PEP Web and is copyright to the Journal in which it originally appeared. It is illegal to copy, distribute or circulate it in any form whatsoever.