Customer Service | Help | FAQ | PEP-Easy | Report a Data Error | About
:
Login
Tip: To see translations of Freud SE or GW…

PEP-Web Tip of the Day

When you hover your mouse over a paragraph of the Standard Edition (SE) long enough, the corresponding text from Gesammelte Werke slides from the bottom of the PEP-Web window, and vice versa.

If the slide up window bothers you, you can turn it off by checking the box “Turn off Translations” in the slide-up. But if you’ve turned it off, how do you turn it back on? The option to turn off the translations only is effective for the current session (it uses a stored cookie in your browser). So the easiest way to turn it back on again is to close your browser (all open windows), and reopen it.

For the complete list of tips, see PEP-Web Tips on the PEP-Web support page.

Kushen, B. (1981). Virginia Woolf: Metaphor of the Inverted Birth. Am. Imago, 38(3):279-304.

(1981). American Imago, 38(3):279-304

Virginia Woolf: Metaphor of the Inverted Birth

Betty Kushen, Ph.D.

In the novels of Virginia Woolf's maturity, The Waves (1931), The Years (1937), and Between the Acts (1941), the recurrent visual symbols involve merger, the confluence of self and object images, as well as introjection by oral or visual incorporation, swallowing or being swallowed. I will try to show that these metaphors appear as a compensatory defense against separation, loss, deprivation and their consequence: oral rage. The pervasive recurrence of these figures and the fantasies associated with them as well as her own testimony in letters, diaries, and autobiographical writings, suggest early, critical deprivation and aggressive acting out by her mother, Julia Steven, or a nurse.

An unpublished letter dated Monday April 10, 1882, written by Leslie Stephen to his wife, Julia, contains specific reference to the mother's difficulties in nursing Virginia. I cannot decipher the first part of Sir Leslie's sentence, but the final phrase is clear. He refers specifically to Julia's fighting or struggling with Virginia in the nursing situation and then goes on, in the next sentence, to express his wish that she continue to nurse only if the effort does not injure her health.

We are most familiar with Virginia Woolf's idealized portraits of the nurturing and maternally creative Helen Ambrose, of The Voyage Out and Mrs.

[This is a summary or excerpt from the full text of the book or article. The full text of the document is available to subscribers.]

Copyright © 2020, Psychoanalytic Electronic Publishing, ISSN 2472-6982 Customer Service | Help | FAQ | Download PEP Bibliography | Report a Data Error | About

WARNING! This text is printed for personal use. It is copyright to the journal in which it originally appeared. It is illegal to redistribute it in any form.