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PEP-Easy Tip: To save PEP-Easy to the home screen

PEP-Web Tip of the Day

To start PEP-Easy without first opening your browser–just as you would start a mobile app, you can save a shortcut to your home screen.

First, in Chrome or Safari, depending on your platform, open PEP-Easy from You want to be on the default start screen, so you have a clean workspace.

Then, depending on your mobile device…follow the instructions below:


  1. Tap on the share icon Action navigation bar and tab bar icon
  2. In the bottom list, tap on ‘Add to home screen’
  3. In the “Add to Home” confirmation “bubble”, tap “Add”

On Android:

  1. Tap on the Chrome menu (Vertical Ellipses)
  2. Select “Add to Home Screen” from the menu


For the complete list of tips, see PEP-Web Tips on the PEP-Web support page.

Martin, J. (1984). Clinical Contributions to the Theory of the Fictive Personality. Ann. Psychoanal., 12:267-300.

(1984). Annual of Psychoanalysis, 12:267-300

III Clinical Studies

Clinical Contributions to the Theory of the Fictive Personality

Jay Martin, Ph.D.

Adult Identities and Fictive Formulas

Harry Nash, the hero of Kurt Vonnegut's short story, “Who Am I This Time?,” is a clerk at a hardware store in North Crawford. Painfully shy, he “wasn't married, didn't go out with women—didn't have any close men friends either. He stayed away from all kinds of gatherings because he never could think of anything to say or do …” (Vonnegut, 1978, p. 20). Somebody in the town once remarked, Vonnegut tells us, “that Harry ought to go to a psychiatrist.” But, the plain-speaking narrator of the story says, “I don't know what a psychiatrist could have turned up about him that the town didn't already know”; and, something of a psychoanalyst himself, the narrator adds that Harry's trouble was related to early abandonment: “he' been left on the doorstep of the Unitarian Church when he was a baby, and he never did find out who his parents were” (p. 21).

What the gods take away with one hand, they give with the other—so the Greek maxim says. The “gift” that accompanied Harry's colorlessness was acting ability. He was extraordinarily versatile, equally skillful at taking the parts, successively, of Henry VIII, Abe Lincoln, and Queeg in The Caine Mutiny Court-Martial. Now the Mask and Wig Club has voted to do Tennessee Williams's A Streetcar Named Desire for the spring production. The director asks Harry to take a part.

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