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Tip: Understanding Rank

PEP-Web Tip of the Day

When you do a search, you can sort the results bibliographically alphabetical or by “rank”. What is Rank?

Rank refers to the search engine’s “best guess” as to the relevance of the result to the search you specified. The exact method of ranking used varies a bit depending on the search. In its most basic level, when you specify a single search term, rank looks at the density of the matches for the word in the document, and how close to the beginning of the document they appear as a measure of importance to the paper’s topic. The documents with the most matches and where the term is deemed to have the most importance, have the highest “relevance” and are ranked first (presented first).

When you specify more than one term to appear anywhere in the article, the method is similar, but the search engine looks at how many of those terms appear, and how close together they appear, how close to the beginning of the document, and can even take into account the relative rarity of the search terms and their density in the retrieved file, where infrequent terms count more heavily than common terms.

To see a simple example of this, search for the words (not the phrase, so no quotes):

unconscious communications

Look at the density of matches in each document on the first page of the hits. Then go to the last page of matched documents, and observe the density of matches within the documents.

A more complex search illustrates this nicely with a single page and only 15 matches:

counter*tr* w/25 “liv* out” w/25 enact*

There are a lot of word forms and variants of the words (due to the * wildcards) above that can match, but the proximity (w/25) clause limits the potential for matching. What’s interesting here though is how easily you can see the match density decrease as you view down the short list.

The end result of selecting order by rank is that the search engine’s best “guess” as to which articles are more relevant appear higher on the list than less relevant articles.

For the complete list of tips, see PEP-Web Tips on the PEP-Web support page.

Meyer, B.C. (1964). Psychoanalytic Studies on Joseph Conrad—I. the Family Romance. J. Amer. Psychoanal. Assn., 12:32-58.

(1964). Journal of the American Psychoanalytic Association, 12:32-58

Psychoanalytic Studies on Joseph Conrad—I. the Family Romance

Bernard C. Meyer, M.D.

Fair Portia's counterfeit!

What demi-god hath come so near creation?

Merchant of Venice

IN HIS CLASSIC paper "The Image of the Artist: A Psychological Study of the Role of Tradition in Ancient Biographies, " Ernst Kris (15) called attention to a specific pattern of the family romance, which over many different epochs in the history of art, including the present day, has reappeared as authentic biography of the artist. According to this formula, the future artist is represented as an obscure poor child, often a shepherd boy, whose creative gifts are discovered accidently by an established master, who subsequently becomes the child's sponsor and protector. At a Memorial Meeting for Ernst Kris in 1957 Greenacre (11) presented a paper demonstrating the application of these observations on the family romance to five celebrated men, one of whom, the explorer and nearly perennial rescuer, Henry Morton Stanley, apparently played an important if unwitting role in a family romance fantasy of Joseph Conrad, the subject of this presentation.

In

[This is a summary or excerpt from the full text of the book or article. The full text of the document is available to subscribers.]

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