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PEP-Easy Tip: To save PEP-Easy to the home screen

PEP-Web Tip of the Day

To start PEP-Easy without first opening your browser–just as you would start a mobile app, you can save a shortcut to your home screen.

First, in Chrome or Safari, depending on your platform, open PEP-Easy from You want to be on the default start screen, so you have a clean workspace.

Then, depending on your mobile device…follow the instructions below:


  1. Tap on the share icon Action navigation bar and tab bar icon
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  3. In the “Add to Home” confirmation “bubble”, tap “Add”

On Android:

  1. Tap on the Chrome menu (Vertical Ellipses)
  2. Select “Add to Home Screen” from the menu


For the complete list of tips, see PEP-Web Tips on the PEP-Web support page.

Haartman, K. (2017). The Analyst Who Laughed to Death, by Ronald Ruskin, London: Karnac, 2016, 341 pp.. Canadian J. Psychoanal., 25(2):143-147.

(2017). Canadian Journal of Psychoanalysis, 25(2):143-147


The Analyst Who Laughed to Death, by Ronald Ruskin, London: Karnac, 2016, 341 pp.

Review by:
Keith Haartman

Ronald Ruskin is a training and supervising analyst, who, in addition to his private practice, is a psychiatrist at Mount Sinai Hospital in Toronto. He is a mensch in the Toronto analytic scene and has contributed greatly to the vibrancy of psychoanalytic culture in our city. In addition to his various clinical writings on such topics as supervision and boundary violations, he is a founding member of Ars Medica, a medical humanities journal devoted to the synergy between writing and mental health. Ron is also a writer of fiction and is the author of a medical thriller, entitled The Last Panic (1979).

Ruskin's new novel explores the life and personality of one Dr. Reuben Moses, a prominent Toronto analyst whose personal life unravels as he enters into his senior years. Moses runs a hospital clinic for borderline patients, and in his private practice specializes in volatile, recalcitrant cases, including criminal psychopaths. Moses's penchant for creating stress by taking on tragic, villainous individuals underscores his incapacity to slow down, rest, and enjoy life. His acceptance of such cases into his practice thematically mirrors (and reverses) his passive exposure to, and absorption of, the traumatized personalities in his early life—most notably his bubba, or grandmother.

At the start of the novel, Moses begins a second analysis with Dr.

[This is a summary or excerpt from the full text of the article. PEP-Web provides full-text search of the complete articles for current and archive content, but only the abstracts are displayed for current content, due to contractual obligations with the journal publishers. For details on how to read the full text of 2017 and more current articles see the publishers official website here.]

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