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PEP-Easy Tip: To save PEP-Easy to the home screen

PEP-Web Tip of the Day

To start PEP-Easy without first opening your browser–just as you would start a mobile app, you can save a shortcut to your home screen.

First, in Chrome or Safari, depending on your platform, open PEP-Easy from  You want to be on the default start screen, so you have a clean workspace.

Then, depending on your mobile device…follow the instructions below:


  1. Tap on the share icon  Action navigation bar and tab bar icon
  2. In the bottom list, tap on ‘Add to home screen’
  3. In the “Add to Home” confirmation “bubble”, tap “Add”

On Android:

  1. Tap on the Chrome menu (Vertical Ellipses)
  2. Select “Add to Home Screen” from the menu


For the complete list of tips, see PEP-Web Tips on the PEP-Web support page.

Gentile, J. (2016). Naming the Vagina, Naming the Woman. DIVISION/Rev., 14:23-29.

(2016). DIVISION/Review, 14:23-29


Naming the Vagina, Naming the Woman

Jill Gentile

An adapted version of this essay appears in the author's new book, Feminine Law: Freud, Free Speech, and the Voice of Desire, with M. Macrone (London, UK: Karnac Books, 2016).

Naming entails a risk; but with that risk comes power. In her celebrated novel The Flamethrowers (2013, p. 76), Rachel Kushner illustrates this point through the character Lonzi, who speaks “of this essential female part, and it turned out he was speaking specifically of a woman's vulva. A good example of how it was Lonzi had come to be leader. He was willing to think to extremes and name them.” Who is Lonzi, and how was he named? Kushner answers (Owens, 2013): “He's a fictionalized futurist of sorts … he's the leader of this avant garde little gang in Rome around 1910, and they ride motorcycles and romanticize machinery, speed, war, violence, the future. … I named him after the radical and great Italian feminist, Carla Lonzi, who wrote We Spit on Hegel. He has contempt for women but he invokes a really cool one every time someone says his name.”

Untitled, Sapa, 1996

Though in the novel Carla herself is just a cool hidden historical reference, it is she who—her name that—underwrites Lonzi's strength. In this meta-story of naming, the fictional macho Lonzi doesn't just silently and enigmatically etch the name of a celebrated feminist, evocatively naming her; he also boldly and explicitly names what defies naming. He names the female genital. Kushner's choice here isn't arbitrary.

[This is a summary or excerpt from the full text of the book or article. The full text of the document is available to subscribers.]

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