Customer Service | Help | FAQ | PEP-Easy | Report a Data Error | About
:
Login
Tip: To zoom in or out on PEP-Web…

PEP-Web Tip of the Day

Are you having difficulty reading an article due its font size?  In order to make the content on PEP-Web larger (zoom in), press Ctrl (on Windows) or ⌘Command (on the Mac) and the plus sign (+).  Press Ctrl (on Windows) or ⌘Command (on the Mac) and the minus sign (-) to make the content smaller (zoom out).   To go back to 100% size (normal size), press Ctrl (⌘Command  on the Mac) + 0 (the number 0).

Another way on Windows: Hold the Ctrl key and scroll the mouse wheel up or down to zoom in and out (respectively) of the webpage. Laptop users may use two fingers and separate them or bring them together while pressing the mouse track pad.

Safari users: You can also improve the readability of you browser when using Safari, with the Reader Mode: Go to PEP-Web. Right-click the URL box and select Settings for This Website, or go to Safari > Settings for This Website. A large pop-up will appear underneath the URL box. Look for the header that reads, “When visiting this website.” If you want Reader mode to always work on this site, check the box for “Use Reader when available.”

For the complete list of tips, see PEP-Web Tips on the PEP-Web support page.

Bernstein, J.W. (2002). Film Review Essay: Fight Club. Int. J. Psycho-Anal., 83(5):1191-1199.

(2002). International Journal of Psycho-Analysis, 83(5):1191-1199

Film Review Essay: Fight Club

Jeanne Wolff Bernstein

‘I'm sorry you met me at such a weird time in my life’, are the last words uttered by Jack as he squeezes Marla's hand, watching with her from an empty office block as skyscrapers explode and collapse around them one after another. It is a weird time indeed to see the film Fight Club, given that the 11 September destruction of the World Trade Center eerily echoes the fictitious collapse of a series of skyscrapers at the hands of a terrorist organisation, cleverly led by Jack's on-screen alter ego, Tyler Durden. When reality imitates cinematic fiction, cinema no longer functions as the ‘prosthesis for memory’ (Fabe, 2001, p. 1) but as an intact body for what is to come in the future. Rather than just preserving history, film instead furnishes a syntax and lens through which reality is being forestructured. The question then becomes, who is imitating whom, who is taking the place of whom and who is, as we hear Jack say at the beginning of the film, ‘a copy of a copy of a copy’?

In Fight Club, there is a key moment which foreshadows much of the film's haunting ending. When Tyler Durden (Brad Pitt), one of the two main characters, is introduced to the audience, we learn that he is a night person who works as a projectionist at the film theatre. From Jack (Ed Norton), the other central film character, we hear the following lines:

A movie doesn't come in one big reel. In old theaters, two projectors are used. Someone has to change projectors at the exact second where one reel starts and another reel ends.

[This is a summary or excerpt from the full text of the book or article. The full text of the document is available to subscribers.]

Copyright © 2019, Psychoanalytic Electronic Publishing, ISSN 2472-6982 Customer Service | Help | FAQ | Download PEP Bibliography | Report a Data Error | About

WARNING! This text is printed for personal use. It is copyright to the journal in which it originally appeared. It is illegal to redistribute it in any form.