Customer Service | Help | FAQ | PEP-Easy | Report a Data Error | About
:
Login
Tip: To see who cited a particular article…

PEP-Web Tip of the Day

To see what papers cited a particular article, click on “[Who Cited This?] which can be found at the end of every article.

For the complete list of tips, see PEP-Web Tips on the PEP-Web support page.

Civitarese, G. (2015). Bion and the sublime: The origins of an aesthetic paradigm. Int. J. Psycho-Anal. Video Collection, 1(1):3.

(2015). International Journal of Psychoanalysis Video Collection, 1(1):3

Bion and the sublime: The origins of an aesthetic paradigm Related Papers

Giuseppe Civitarese

In constructing his theory Bion drew on a number of symbolic matrices: psychoanalysis, philosophy, mathematics, literature, aesthetics. The least investigated of these is the last. True, we know that Bion cites many authors of the Romantic period, such as Coleridge, Keats, Blake and Wordsworth, as well as others who were held in high esteem in the Romantic period, such as Milton. However, less is known about the influence exerted on him by the aesthetics of the sublime, which while chronologically preceding Romanticism is in fact one of its components. My working hypothesis is that tracing a number of Bion's concepts back to this secret model can serve several purposes: firstly, it contributes to the study of the sources, and, secondly, it makes these concepts appear much less occasional and idiosyncratic than we might believe, being as they are mostly those less immediately understandable but not less important (O, negative capability, nameless dread, the infinite, the language of achievement, unison etc.). Finally, connecting these notions to a matrix, that is, disclosing the meaning of elements that are not simply juxtaposed but dynamically interrelated, in my view significantly increases not only their theoretical intelligibility but also their usefulness in clinical practice. In conclusion, one could legitimately argue that Bion gradually subsumed all the other paradigms he drew on within the aesthetic paradigm.

[This excerpt is a short preview of the video. The full video and full transcript are available to subscribers.]

Copyright © 2019, Psychoanalytic Electronic Publishing, ISSN 2472-6982 Customer Service | Help | FAQ | Download PEP Bibliography | Report a Data Error | About

WARNING! This text is printed for personal use. It is copyright to the journal in which it originally appeared. It is illegal to redistribute it in any form.