Customer Service | Help | FAQ | PEP-Easy | Report a Data Error | About
:
Login
Tip: To see translations of Freud SE or GW…

PEP-Web Tip of the Day

When you hover your mouse over a paragraph of the Standard Edition (SE) long enough, the corresponding text from Gesammelte Werke slides from the bottom of the PEP-Web window, and vice versa.

If the slide up window bothers you, you can turn it off by checking the box “Turn off Translations” in the slide-up. But if you’ve turned it off, how do you turn it back on? The option to turn off the translations only is effective for the current session (it uses a stored cookie in your browser). So the easiest way to turn it back on again is to close your browser (all open windows), and reopen it.

For the complete list of tips, see PEP-Web Tips on the PEP-Web support page.

Jucovy, M.E. (1965). Meetings of the New York Psychoanalytic Society. Psychoanal Q., 34:144-147.

(1965). Psychoanalytic Quarterly, 34:144-147

Meetings of the New York Psychoanalytic Society

Milton E. Jucovy

May 19, 1964. THE PROBLEM OF DEATH IN FREUD'S WRITINGS AND LIFE (Fourteenth Freud Anniversary Lecture). Max Schur, M.D.

The author, who was Freud's personal physician during the last ten and a half years of his life, uses Freud's writings, some unpublished correspondence, and personal observations to develop his thoughts about Freud's attitude toward death, including his own, as a biological, psychological, and clinical problem.

In The Interpretation of Dreams and the Fliess letters, Freud reveals his early encounters with death and the reconstruction in his self-analysis of the death of his younger brother, so crucially important for his later relationships. During this period he suffered from neurotic fears of dying, travel phobias, and cardiac symptoms accompanied by dread of death. He was obsessively preoccupied with the superstition that he might die at certain ages: forty-two, sixty-two, and in his eighty-second year. Self-analysis enabled him to subject the problems of death to psychoanalytic inquiry and many of his neurotic symptoms yielded to this supreme feat. In later years his correspondence reveals a dislike of aging rather than fear of dying, especially a repugnance for decline of creative activity.

Freud first discusses death as an analytic problem in The Interpretation of Dreams, and later as a theme dealt with by writers and poets. In the Gradiva paper he expressed his fascination with the artist's ability to fathom the working and language of the unconscious and to deal with death and immortality.

[This is a summary or excerpt from the full text of the book or article. The full text of the document is available to subscribers.]

Copyright © 2021, Psychoanalytic Electronic Publishing, ISSN 2472-6982 Customer Service | Help | FAQ | Download PEP Bibliography | Report a Data Error | About

WARNING! This text is printed for personal use. It is copyright to the journal in which it originally appeared. It is illegal to redistribute it in any form.