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In-depth analysis of Winnicott’s psychoanalytic theorization was conducted by Jan Abrams in her work The Language of Winnicott. You can access it directly by clicking here.

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Hartman, J.J. (1986). Psychoanalytic Study of Society. X, 1984: In Pursuit of Slow Time: A Psychoanalytic Approach to Contemporary Music. Gilbert J. Rose. Pp. 353-366.. Psychoanal Q., 55:199-200.
Psychoanalytic Electronic Publishing: Psychoanalytic Study of Society. X, 1984: In Pursuit of Slow Time: A Psychoanalytic Approach to Contemporary Music. Gilbert J. Rose. Pp. 353-366.

(1986). Psychoanalytic Quarterly, 55:199-200

Psychoanalytic Study of Society. X, 1984: In Pursuit of Slow Time: A Psychoanalytic Approach to Contemporary Music. Gilbert J. Rose. Pp. 353-366.

John J. Hartman

Rose asserts that the experience of time has become drastically different as a result of the perception of the possibility of worldwide destruction. He argues that contemporary music can be used to illustrate this change in temporal experience. He discusses Charlie Parker's bebop jazz and Arnold Schoenberg's twelve-tone

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atonal music to support this idea. To further illustrate his thesis, he adds a clinical example of time confusion.

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Article Citation

Hartman, J.J. (1986). Psychoanalytic Study of Society. X, 1984. Psychoanal. Q., 55:199-200

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