Customer Service | Help | FAQ | Report a Data Error | About
:
Login
Tip: To refine your search with the author’s first initial…

PEP-Web Tip of the Day

If you get a large number of results after searching for an article by a specific author, you can refine your search by adding the author’s first initial. For example, try writing “Freud, S.” in the Author box of the Search Tool.

For the complete list of tips, see PEP-Web Tips on the PEP-Web support page.

Spitz, E.H. (1987). Separation-Individuation in a Cycle of Songs—George Crumb's Ancient Voices of Children. Psychoanal. St. Child, 42:531-543.

(1987). Psychoanalytic Study of the Child, 42:531-543

Separation-Individuation in a Cycle of Songs—George Crumb's Ancient Voices of Children

Ellen Handler Spitz, Ph.D.

Consciousness of self and absorption without awareness of self are the two polarities between which we move, with varying ease and with varying degrees of alternation or simultaneity.

… gradual growing away from the maternal state of symbiosis, of one-ness with the mother … is a lifelong mourning process.
—MARGARET S. MAHLER (1972p. 333)

IT HAS BEEN REMARKED THAT WITHIN THE BODY OF PSYCHOanalytic writing the art of music has received scant attention. What has been said falls more or less into the category of pathography or psychobiography. The thorny problems with that general approach are well known and have been extensively discussed by contemporary aestheticians, including Bouwsma (1954), Tormey (1971), and Kivy (1980).

[This is a summary or excerpt from the full text of the book or article. The full text of the document is available to subscribers.]

Copyright © 2018, Psychoanalytic Electronic Publishing, ISSN 2472-6982 Customer Service | Help | FAQ | Download PEP Bibliography | Report a Data Error | About

WARNING! This text is printed for personal use. It is copyright to the journal in which it originally appeared. It is illegal to redistribute it in any form.