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Results 1 - 22 of 22 for your search on "lawrence d h":

1.  (1964). Psychoanalytic Review. L, 1963: D. H. Lawrence's Great Circle. Daniel Weiss. Pp. 462-488.. Psychoanal Q., 33:606-607.
2. Akmakjian, H. (1966). D. H. Lawrence and Sons and Lovers: Sources and Criticism. Ed., E. W. Tedlock, Jr. New York: New York University Press, 1965. viii + 250 pp. Psychoanal. Rev., 53B:157-158.
3. Birger, D.M. (1984). The Psychoanalytic Study of Society, IX. 1981: Placing the Body in Creativity: D. H. Lawrence and the Occult. Daniel Dervin. Pp. 181-220.. Psychoanal Q., 53:490-491.
4. Burgum, E.B. (1966). Lawrence's Sons and Lovers: Daniel A. Weiss: Oedipus in Nottingham: D. H. Lawrence, with a Foreword by Richard Ellman. Seattle: University of Washington Press, 1962. vii + 128 pp.. Am. Imago, 23:180-183.
5. Cowan, J.C. (1960). In D. H. Lawrence's The Man who Died the Function of Allusions and Symbols. Am. Imago, 17:241-253.
6. Cowan, J.C. (1992). Blutbrüderschaft and Self Psychology in D. H. Lawrence's Women in Love. Ann. Psychoanal., 20:191-214.
7. Dervin, D. (1980-81). Rainbow, Phoenix, and Plumed Serpent: D. H. Lawrence's Great Composite Symbols and Their Vicissitudes. Psychoanal. Rev., 67:515-541.
8. Dervin, D.A. (1979). D. H. Lawrence and Freud. Am. Imago, 36:95-117.
9. Eisler, E.R. (1942). Literature and Personality: Analysis of the Novels of D. H. Lawrence, Part II.: Harold Greier McCurdy. Character and Personality, VIII, No. 4, 1940.. Psychoanal Q., 11:143.
10. Fiderer, G. (1968). D. H. Lawrence's The Man Who Died: The Phallic Christ. Am. Imago, 25:91-96.
11. Fishman, G.G. (1983). American Imago. XXXVI, 1979: D. H. Lawrence and Freud. Daniel A. Dervin. Pp. 95-117.. Psychoanal Q., 52:144.
12. Gordon, R. (1978). Look! He has Come Through!: D. H. Lawrence, women and individuation. J. Anal. Psychol., 23:258-274.
13. Mollinger, S. (1979). The Divided Self in Nathaniel Hawthorne and D. H. Lawrence. Psychoanal. Rev., 66:79-102.
14. Pierloot, R.A. (1997). D. H. Lawrence's Views on the Development of the Infant's Interpersonal world. J. Amer. Acad. Psychoanal., 25:553-570.
15. Pierloot, R.A. (2000). D.H. Lawrence and the Freudian Oedipus complex. Free Associations, 8:100-119.
16. Schapiro, B. (1999). Transitional States and Psychic Change: Thoughts on Reading D. H. Lawrence. Contemp. Psychoanal., 35:44-54.
17. Schmidl, F. (1964). Oedipus in Nottingham: D. H. Lawrence: By Daniel A. Weiss. Seattle: University of Washington Press, 1962. 128 pp.. Psychoanal Q., 33:286-288.
18. Slap, J.W. (1969). American Imago. XXV. 1968: D. H. Lawrence: the Blood-Conscious Artist. Leigh Travis. Pp. 163-190.. Psychoanal Q., 38:510.
19. Tabachnick, E., Tabachnick, N. (1976). The Second Birth of D. H. Lawrence. J. Amer. Acad. Psychoanal., 4:469-480.
20. Trail, G.Y. (1979). The Psychological Dynamics of D. H. Lawrence's “Snake”. Am. Imago, 36:345-356.
21. Travis, L. (1968). D. H. Lawrence: The Blood-Conscious Artist. Am. Imago, 25:163-190.
22. Weiss, D. (1963). D. H. Lawrence's Great Circle: From “Sons and Lovers” to “Lady Chattorley”. Psychoanal. Rev., 50C:112-138.
 
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