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PEP-Easy Tip: To save PEP-Easy to the home screen

PEP-Web Tip of the Day

To start PEP-Easy without first opening your browser–just as you would start a mobile app, you can save a shortcut to your home screen.

First, in Chrome or Safari, depending on your platform, open PEP-Easy from pepeasy.pep-web.org. You want to be on the default start screen, so you have a clean workspace.

Then, depending on your mobile device…follow the instructions below:

On IOS:

  1. Tap on the share icon Action navigation bar and tab bar icon
  2. In the bottom list, tap on ‘Add to home screen’
  3. In the “Add to Home” confirmation “bubble”, tap “Add”

On Android:

  1. Tap on the Chrome menu (Vertical Ellipses)
  2. Select “Add to Home Screen” from the menu

 

For the complete list of tips, see PEP-Web Tips on the PEP-Web support page.

Hill, J.M. (1975). Frankenstein and the Physiognomy of Desire. Am. Imago, 32(4):335-358.

(1975). American Imago, 32(4):335-358

Frankenstein and the Physiognomy of Desire

J. M. Hill

Beginning with the commonplace that Frankenstein is a family romance, I will argue that its essential theme is promethean sin—a theme uniting an incredible complex of psycho-biographical motives. I will trace a few strands of what I take as the dominant motive, not because the rest proves incidental, but because an adequate treatment of psychological material in Frankenstein requires book-length scope. The dominant incestuous root for Promethean sin seems to take hold in uncompromising psychic wishes for exclusive love, and in possession of the mother—the source of first love. Commentators have noted odd familial relations in Mary Shelley's novel, but they usually avoid its psychological density or mistake the motives involved. In this study, I hope to expose some of that material, begin exploring Mary Shelley's deep motives, and acknowledge her wisdom in these matters. Principally, I will draw on general Freudian suggestions and allow the novel to fulfill or qualify the cogency of such awareness in its narrative progress. To astonishing extent, Mary Shelley

1 Avoidance is characteristic of criticism devoted to the novel. See George Levine, “Frankenstein and the Tradition of Realism,” Novel 7 (1973), 14-30 for an awareness of the family patterns; Christopher Small, Mary Shelley's Frankenstein: Tracing the Myth (University of Pittsburg, 1973) for the suggestion that Victor's dream emerges, “so to speak from her [Mary's] mother's grave” (p.

[This is a summary or excerpt from the full text of the book or article. The full text of the document is available to subscribers.]

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