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PEP-Easy Tip: To save PEP-Easy to the home screen

PEP-Web Tip of the Day

To start PEP-Easy without first opening your browser–just as you would start a mobile app, you can save a shortcut to your home screen.

First, in Chrome or Safari, depending on your platform, open PEP-Easy from pepeasy.pep-web.org. You want to be on the default start screen, so you have a clean workspace.

Then, depending on your mobile device…follow the instructions below:

On IOS:

  1. Tap on the share icon Action navigation bar and tab bar icon
  2. In the bottom list, tap on ‘Add to home screen’
  3. In the “Add to Home” confirmation “bubble”, tap “Add”

On Android:

  1. Tap on the Chrome menu (Vertical Ellipses)
  2. Select “Add to Home Screen” from the menu

 

For the complete list of tips, see PEP-Web Tips on the PEP-Web support page.

Bick, I.J. (1989). Aliens Among Us: a Representation of Children in Science Fiction. J. Amer. Psychoanal. Assn., 37:737-759.

(1989). Journal of the American Psychoanalytic Association, 37:737-759

Aliens Among Us: a Representation of Children in Science Fiction

Ilsa J. Bick, M.D.

ABSTRACT

As a literary genre, science fiction has been largely ignored by psychoanalysis. Science fiction lends itself well to analytic interpretations since its structure embraces an attitude of "cognitive estrangement" (a term that defines the genre). Science fiction allows for the exploration of new and different permutations of seemingly ageless conflicts and concerns. One of the conflicts science fiction seems to address revolves about our fears regarding our children. These children become the "aliens" among us, as they seek to usurp parental power and authority.

This issue is addressed through a study of two of Ray Bradbury's short stories. By manipulating the reader's experience of the "uncanny," Bradbury succeeds in tapping what appear to be prevalent and potent fears regarding children and, reflexively, the adults who produce them. Mechanisms involved in this play on "alienness" include projective identification of destructive aspects of the self, a resurgence of archaic superego forerunners constituted around primal scene material, and a reawakening of oedipal struggles.

[This is a summary or excerpt from the full text of the book or article. The full text of the document is available to subscribers.]

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