Customer Service | Help | FAQ | PEP-Easy | Report a Data Error | About
:
Login
Tip: To see the German word that Freud used to refer to a concept…

PEP-Web Tip of the Day

Want to know the exact German word that Freud used to refer to a psychoanalytic concept? Move your mouse over a paragraph while reading The Standard Edition of the Complete Psychological Works of Sigmund Freud and a window will emerge displaying the text in its original German version.

For the complete list of tips, see PEP-Web Tips on the PEP-Web support page.

Meiri, S. Kohen-Raz, O. (2017). Mainstream Body-Character Breach Films and Subjectivization. Int. J. Psycho-Anal., 98(1):201-217.

(2017). International Journal of Psycho-Analysis, 98(1):201-217

Film Essay

Mainstream Body-Character Breach Films and Subjectivization

Sandra Meiri and Odeya Kohen-Raz

(Accepted for publication 6 September 2016)

The authors analyze a unique cinematic corpus - ‘body-character breach films’ (one character, initially played by a certain actor, occupies the body of another character) - demonstrating Lacan's notion of traversing the fantasy, both on the level of the films’ diegesis and that of spectatorship. Breaching the alliance between actors and their characters perturbs the viewer's fantasy of wholeness enabled by this very alliance. Consequently, a change in subject/spectatorial position in relation to the lack in the Other is induced, enhanced through the visualization of various scenarios of unconscious fantasies (mostly incest). These are meant to unsettle the spectator into an awareness of how a conscious fantasy conceals another unconscious fundamental fantasy, thereby encouraging a change in spectatorial position (from ‘perverse'/fetishistic to ‘neurotic’). Conflating this change with Lacan's notion of traversing the fantasy, the authors contend that mainstream cinema has the capacity to induce a process of subjectivization (assuming responsibility for one's own desire). This process is contingent on four conditions: identification with the protagonist's fantasy to conceal the lack in the Other; dissolution of this fantasy, initiated by the body-character breach; rhetorical strategies (the coding of unconscious scenarios cinematically); and an ethical dimension (encouraging the subject/spectator to follow her/his desire).

[This is a summary excerpt from the full text of the journal article. The full text of the document is available to journal subscribers on the publisher's website here.]

Copyright © 2019, Psychoanalytic Electronic Publishing, ISSN 2472-6982 Customer Service | Help | FAQ | Download PEP Bibliography | Report a Data Error | About

WARNING! This text is printed for personal use. It is copyright to the journal in which it originally appeared. It is illegal to redistribute it in any form.