Customer Service | Help | FAQ | PEP-Easy | Report a Data Error | About
Tip: To review the bibliography…

PEP-Web Tip of the Day

It is always useful to review an article’s bibliography and references to get a deeper understanding of the psychoanalytic concepts and theoretical framework in it.

For the complete list of tips, see PEP-Web Tips on the PEP-Web support page.

Podro, M. (1990). 'The Landscape Thinks itself in Me.' the Comments and Procedures of Cezanne. Int. R. Psycho-Anal., 17:401-408.

(1990). International Review of Psycho-Analysis, 17:401-408

'The Landscape Thinks itself in Me.' the Comments and Procedures of Cezanne

Michael Podro


Both the painting and the reported conversations of Cézanne suggest some connexions with psychoanalytic thought, particularly that of Marion Milner. The connexions are not a matter of individual biography but of the way, in general, painter and viewer are involved in a sense of the art of painting.

Cézanne's conversations emphasize the restraint and responsiveness which distinguishes pictorial from ordinary, non-pictorial, perception. In his paintings recognition of the depicted motif is sustained within numerous non-literal relations which that motif, when looked at for the purposes of painting, suggest to him. Sustaining those relations in turn amplifies and permeates recognition of the motif.

The viewers' initial recognition of the motif is a condition of their responding to those non-literal suggestions, the appropriateness of their responding is tested by their relevance to that recognition. This yields an intimacy between the subjectivity of viewer and the painting that corresponds to Milner's notion of the artist's delight in his medium and the viewer's capacity to share in it.

[This is a summary or excerpt from the full text of the book or article. The full text of the document is available to subscribers.]

Copyright © 2020, Psychoanalytic Electronic Publishing, ISSN 2472-6982 Customer Service | Help | FAQ | Download PEP Bibliography | Report a Data Error | About

WARNING! This text is printed for personal use. It is copyright to the journal in which it originally appeared. It is illegal to redistribute it in any form.